iPad, Continuum, LinnStrument, Wacom tablet, Wii, MANTA, EigenHarp, Sound Plane, and more

For additional examples of live Kyma performances with unusual controllers, see the Kyma International Sound Symposium concert videos.

• Kyma Control quick demo

• LinnStrument and Kyma

• Bar | None’s videos demonstrating use of OSC to control Kyma with:
  • Snyderphonics MANTA
  • EigenHarp Alpha using PacaMIDI
  • Madrona Labs Soundplane

• Jeffrey Stolet
  • Between the Words for Kyma controlled by Wacom tablet
  • Lariat Rituals for Kyma controlled by Gametrak

• Chi Wang
  • Magic Fingers for Kyma and LeapMotion
  • Sound Motion for Kyma and Kinekt

• Video experiments with a Wii remote (Wiimote), OSCulator, and Kyma:
  • Wiimote->Osculator->Kyma (Large)
  • Wiimote->Osculator->Kyma (Medium)

• Clear Pathetic: Another live performance by Edmund Eagan, this time crossing a temple bell with the sound of a breathy vocal.

• Squeaky: An inexpensive violin and a rusty player supplied the four original tones. After Tau analysis, they were played realistically out of tune on the Continuum.

• Slide Kalimba: In this example, Edmund Eagan started with just two Kalimba notes, both the same pitch, one soft and one loud. He used the Tau formant-shifting to make that one frequency playable over a wide pitch range on his Continuum fingerboard. Here is another example, again played by Edmund Eagan: Tau Kalimba.

• Kurt Hebel’s Wacom demo video

• SlipStick Synthesis in Kyma: Sound synthesized using a physical model of friction (Continuum fingerboard controlling Kyma slipstick synthesis on Pacarana hardware)

• Tuva2: Edmund Eagan performing slipstick synthesis as input to modal filters tuned to vocal formants on the Continuum fingerboard
• Edmund Eagan performs SprongZip on the Continuum Fingerboard