Perfect!! That makes sense, it was just to know, so that I will keep gain staging into the displayed range also on intermediating prototypes patching. It is also a clarification the came from some of my students that asked about it, since other systems use the final bit res of the DA as unit reference on display, while keeping higher internal calculation (and that’s explains why you may recover the original unclipped signal scaling the final master sum). Thanks very much. And by the way in pro studios, Kyma sounds amazing like nothing else!!