My approach to ecosystemic programming has involved conceptualizing the final product as a physically navigable space, as a metaphoric sculptural mobile (audible-mobile) or as an orrery (a mechanical model of the solar system). Thinking about the behavior of sound in
In the previous article (part 1 of 2), we explored how to get a single column CSV [comma-separated-values] file working with Kyma. We used this single stream of numbers to generate internal MIDI messages that controlled pitch, amplitude, timbre, location, and note duration.
This is a continuation of Tutorial C, Part 1. Part 2 focuses on the SampleAndHold in several manifestations.
In this tutorial, we look at other ways to generate patterns in Sound parameter fields.