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Bart’s Kyma Tutorial C: Generating Patterns Outside the StepSequencer, Part 1

Bart’s Kyma Tutorial C: Generating Patterns Outside the StepSequencer, Part 1

In this tutorial, we look at other ways to generate patterns in Sound parameter fields.

BartonMcLean 8 April 2016 Tutorials No Comments Read more

Bart’s Kyma Tutorial B: The StepSequencer, Part 2

Bart’s Kyma Tutorial B: The StepSequencer, Part 2

In this fourth tutorial, we continue our work with the StepSequencer.

BartonMcLean 14 February 2016 Tutorials No Comments Read more

Bart’s Kyma Tutorial B: The StepSequencer, Part 1

Bart’s Kyma Tutorial B: The StepSequencer, Part 1

In this third tutorial, we examine the StepSequencer and how it can be thought of as one big, resource-rich automated MIDI keyboard.

BartonMcLean 14 February 2016 Tutorials No Comments Read more

Thoughts on FM: behind the algorithms

Thoughts on FM: behind the algorithms

In the past, the Frequency Modulation technique was used widely in radio transmission but had not been applied to sound synthesis. In the early 1970s, John Chowning, a composer and researcher at Stanford University, developed some important new techniques for music

Roland Kuit 30 January 2016 Tutorials No Comments Read more

Insights Contributor: Roland Kuit

Insights Contributor: Roland Kuit

From his childhood, Roland Kuit has always been fascinated by the phenomenon of sound. Surrounded with instruments like a grand piano, violins, double bass, trombone and guitars, he started to experiment with these sounds and the tape recorder. He was

Roland Kuit 28 January 2016 Contributors No Comments Read more

Ecosystemic Programming and Composition Part 1

Ecosystemic Programming and Composition Part 1

A large part of my work the past decade has involved applications of ecosystemic programming. I was introduced to the concept of musical ecosystems by Agostino Di Scipio’s lectures on his Audible Eco-Systemic Interface (AESI) project at the Centre de

Scott Miller 25 January 2016 Tutorials No Comments Read more

Insights Contributor: Scott L. Miller

Insights Contributor: Scott L. Miller

Scott Miller is a composer and performer of works described as “high adventure avant garde music of the best sort” (Classical-Modern Music Review). He got his first Capybara in June 2001, when he forever quit playing golf and devoted 8 hours a day for the

Scott Miller 25 January 2016 Contributors No Comments Read more

Reading CSV Files in Kyma: Part 1

Reading CSV Files in Kyma: Part 1

I’ve been interested in data-driven music over the past few years, and have explored this topic in some of my previous work (San Giovanni, Carbonfeed, #Ferguson) and I am currently working on a sound installation using historical data sets of California’s

Jon Bellona 14 January 2016 Tutorials No Comments Read more

Insights Contributor: Jon Bellona

Insights Contributor: Jon Bellona

Jon Bellona is an intermedia artist/composer who specializes in digital technologies. Jon’s work explores the enactive body and physical embodiment in music, especially live performance of electronic instruments. Additional research delves into broader themes of data-driven music and interdisciplinary collaboration.

Jon Bellona 14 January 2016 Contributors No Comments Read more

Bart’s Kyma Tutorial A: Getting Things Sounding, Organized, and Uncluttered, Part 2

Bart’s Kyma Tutorial A: Getting Things Sounding, Organized, and Uncluttered, Part 2

In this second tutorial, we look at mixing Sounds and controlling them from the Virtual Control Surface.

BartonMcLean 2 January 2016 Tutorials No Comments Read more
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Symbolic Sound makes Kyma — a hardware & software environment for creative sound design, live performance, and scientific exploration.

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Symbolic Sound on Bluesky


  • Post Title
    on 24 April 2025 at 00:02

    Prosody — pitch contour, stress, rhythm & loudness of speech — found to have its own vocabulary, semantics & simple syntax. Study finds Intonation Units (IUs) which when stripped of text consist of a pitch contour — as an element of a prosodic vocabulary https://doi.org/10.1073/pnas.2403262122

  • Post Title
    on 19 March 2025 at 01:09

    What’s Behind the ‘Pop and Slosh’ When Opening a Beer? Using high-speed video, audio recordings, & computational fluid dynamics simulations, researchers say the sound is explained by a sudden expansion of CO2 + a drop in temp to -50C which slows the speed of sound https://publishing.aip.org/publications/latest-content/whats-behind-the-pop-and-slosh-when-opening-a-swing-top-bottle-of-beer/

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