Dearest Modulators,
I am trying to recreate the 808 snare drum in Kyma, and I am experiencing a knowledge gap. This version requires a Triangle wave at 111 hz fed into two 'Frequency Shifters' both set to static specific frequencies.
Kyma's 'FrequencyScale' seemed like the most sensible place to start. Reading the description, it mentions using a constant to set a specific value, (done), but my issue starts with knowing what to do with the FrequencyScale paramter. If I set it to 0, I get clicks, and 1 seems apparently unchanged, and 2 unchanged still.
No idea what I am supposed to be doing lol .
EDIT:
Ok, I went back and re-read the article I was working from, apparently, paying attention to the words as well as the pictures helps.
From Article
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You may remember that the partials generated by the shell and air modes of the snare drum fell into two camps: two shifted harmonic series, plus a pair of enharmonic partials generated by the 0,1 mode. I devised two signal paths to recreate these: a triangle oscillator and two frequency-shifters to generate the shifted series, and two sine-wave oscillators to generate the 0,1 frequencies. You may also remember that I admitted that the frequency-shifters in the upper path were an expensive solution to the problem of recreating the snare sound. Well, Roland's engineers found a cost-effective solution when they designed the TR909: they ignored the shifted series, and just employed two oscillators and two waveshapers to generate the 0,1 frequenciesYou may remember that the partials generated by the shell and air modes of the snare drum fell into two camps: two shifted harmonic series, plus a pair of enharmonic partials generated by the 0,1 mode. I devised two signal paths to recreate these: a triangle oscillator and two frequency-shifters to generate the shifted series, and two sine-wave oscillators to generate the 0,1 frequencies. You may also remember that I admitted that the frequency-shifters in the upper path were an expensive solution to the problem of recreating the snare sound. Well, Roland's engineers found a cost-effective solution when they designed the TR909: they ignored the shifted series, and just employed two oscillators and two waveshapers to generate the 0,1 frequencies
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Ok, am adjusting and experimenting....
Any pointers?
Ta Charlie